SCREENSHOT at SCREENSHOT

Jan Macush painting exhibition 5.3 – 15.3

The screenshot is where the inspiration for these small paintings starts. Screenshot of a security camera footage, screenshot of your Instagram post. Embalming these passing moments of digital stream into traditional painting, re-forming, re-purposing, re-interpreting, walking the burning tightrope between homage and persiflage.
The screenshot is also the name of the venue where you will see these paintings. And as fleeing as the moments captured is the exhibition duration, so come and see us, preferably with a glass of one of Screenshot’s amazing cocktails at the opening and enjoy the live music performances planned for the evening. 

5.3 at 19:00 

KineDok Opening: Kiruna – A Brand New World + Q&A

Special Screening 11.3 – 20:30

Kiruna – překrásný nový svět / Kiruna – A Brand New World
Dir. Greta Stocklassa
Prod. Veronika Kührová, Michal Kráčmer / Analog Vision
Czech Republic, 2019, 87 min.
In Swedish with English subtitles

During the East Doc Platform 2020, you will have the opportunity to visit the official opening of the next edition of the KineDok project with the pre-premiere of one of the hottest titles from the 2020
catalogue.

Located way above the polar circle, the Swedish mining town Kiruna was built on a great iron ore deposit, and created a significant income for the Swedish government. However, due to the mining the city has started to collapse and in order to save the industry, the city council together with the mining company LKAB have decided to move the town and its citizens 3 kilometers to the east. In this way, the town has turned a potential disaster into a great opportunity. The new Kiruna will be an even more progressive, even better society for the future. But is it even possible to plan an ideal world? On the backdrop of a moving city, the citizens of the New Kiruna are fighting their own battles.

FOR SAMA – Special Screening

Friday  13.3 – 21:00

The Oscar-nominated Documentary film “FOR SAMA” is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her.

Her camera captures incredible stories of loss, laughter, and survival as Waad wrestles with an impossible choice – whether or not to flee the city to protect her daughter’s life when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

The film is the first feature documentary by Emmy award-winning filmmakers Waad al-Kateab and Edward Watts.

Tickets: https://bit.ly/3cmXsXc

Guatemalan Film Night & Latino Music Set

First Guatemalan films ever to enter Czech distribution, TREMORS and IXCANUL by Jayro Bustamante, in exclusive preview screenings!

Screenshot in collaboration with Artcam Films is thrilled to invite you to the first evening of series of very special screenings.

Founded in the year 2000 by Artemio Benki, Artcam Films is a film production and distribution company that annually presents up to 15 non-commercial films. Their choices are against the mainstream and driven by high artistic values.

Artcam Films impressive list of films for 2020, begins with a very special drama from Guatemala called “Tremors”. Winner of numerous awards, “Tremors” tells the story of a father of family, who is going through coming out in a very Christian and conservative society.
Now, Screenshot has the privilege to screen “Tremors”, before it’s official premiere in the country and for a selected number of audiences.

To make this Guatemalan evening perfect, Screenshot will also screens the previous film of Tremors’s director Jayro Bustamante.

“Ixcanul” tells the story of a young indigenous woman who does not want to live in the modern world until it saves her life during a pregnancy complication.

The films will be presented by Artcam in advance and celebrated by Oozlum Ethno/Latino music set after the screening.

A Very Special double feature Date on Valentine’s Day.

Ixcanul 18:30
Tremors 21:00

Tickets: https://goout.net/en/other-events/tremors+ixcanul/nlckf/+bsiup/

febdok 2-27.2

a one-month-long journey through European documentary films

Opening Ceremony Fedok + Forman vs. Forman

Directors: Helena Třeštíková, Jakub Hejna 

France, Czech Republic 2019 / 78 min.

A look at the life and work of director Milos Forman, from the Czech New Wave to Hollywood.

Tickets: https://goout.net/en/other-events/opening-ceremony-fedok+forman-vs-forman/dccif/+bmwnp/

King Skate

Director: Šimon Šafránek

Czech Republic 2018/80.

Iconic figures of the Czech and world skateboarding scenes share stories of broken bones, unbreakable friendships and the wild ride for freedom in the middle of communism.

Tickets: https://goout.net/en/movies/king-skate/dijcd/+amwnp/

The Good Death

Director: Tomáš Krupa

Czech Republic 2018/ 83 min

Janette is terminally ill and wants to die in a dignified way but British laws do not allow it. She gets in touch with Dr. Erika in Switzerland, who is willing to help her. Muscular dystrophy, the illness that Janette suffers from, has affected her family for generations. Janette’s mother was wheelchair-bound for decades, becoming a prisoner in her own body.

Tickets: https://goout.net/en/other-events/the-good-death+apart/jbcif/+wlwnp/

 

When the War Comes + guest

Director: Jan Gebert
Croatia, Czechia 2018 / 76 min.
The controversial group Slovenskí branci (Slovak Conscripts) recruits young men from across Slovakia. Is this just an innocent game of playing soldiers? Or is it a militia flirting with extremism that presents a security threat?
Tickets:

The Lust for Power + guest (Tereza Nvotova)

Director: Tereza Nvotová
Czechia, Slovakia 2017 / 89 min.
Documentary film maker Tereza Novtová tells the story of her own country, a story which can take place anytime, anywhere. All that’s needed is one man and the credulous faith that he alone can make things better. The impact of Prime Minister Vladimír Mečiar on Slovakia in the 1990s was devastating. 
Tickets:

Brothers

Director: Aslaug Holm
Norway 2015/100 min 
Aslaug Holm follows closely her two young sons Markus and Lukas in their everyday life, while being sons, close brothers, as well as being kids having pleasures and disappointments.
Tickets:

A Woman Captured

Director: Bernadett Tuza-Ritter

Hungary, Germany 2017 / 89 min.

Through its unique approach to its protagonist Marish, the film reveals a specific case of slavery, a shocking phenomenon in contemporary Europe. Twenty-five-year-old Edith, whose owner Eta gave her the new name Marish, has lived with her mistress for 10 years. She does all her housework 12 hours a day, usually at weekends too, and only for food, housing, and cigarettes…

Tickets: https://goout.net/en/movies/a-woman-captured/ekssc/+nlwnp/

The Last Self-Portrait

Director: Marek Kuboš    
      
Slovakia 2018/ 72 min
               
Marek Kubos has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up.
Tickets: 

The Sound Is Innocent + guest (Johana Ožvold)

Director: Johana Ožvold

Czechia, France, Slovakia 2019 / 70 min

When does sound become music? The Sound Is Innocent invites you on an audiovisual journey into a dreamlike space that explores the meaning, function, and significance of the world of electronic and experimental sound. Across five distinct chapters, the film guides us through an oscillating maze of creative figures and moments that’s as bracingly original as the pioneering music it so passionately documents.

Tickets:https://goout.net/en/other-events/the-sound-is-innocent+guest/mybif/+jlwnp/

Tarzan’s Testicles

Director: Alexandru Solomon         
France, Romania 105min
                                 
In the 1920s, a research center in Abkhazia was built to create a hybrid of man and monkey, the individuals of both species still live there today.
                                                                                
Tickets: 

Days of Madness

Director: Damian Nenadić

Slovenia, Croatia 2018 / 73 min

Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.

Tickets: https://goout.net/en/movies/days-of-madness/jfcae/+skwnp/

Exit – Leaving Extremism Behind

Director: Karen Winther

Germany, Norway, Sweden 2018 / 85 min.

As a teenager, she longed for action and for a community that would accept her. When her expectations were not met by anarchists, she joined the neo-Nazis. But what finally caused her to leave extremism behind?

Tickets: https://goout.net/en/movies/exit-leaving-extremism-behind/vyvxd/+qlwnp/

Putin’s Witnesses + guest

Director: Vitaly Mansky

Czechia, Latvia, Switzerland 2018 / 107 min

On December 31, 1999 Vladimir Putin ascended to the president’s chair in Russia. In his latest picture renowned documentarist Vitaly Mansky draws on witness accounts of the events that happened in the years following that fateful day. He then rounds it out with his own fascinating perspective and with the longtime unique experience of a man whom only a movie camera separated from upper echelon politics.

Tickets: https://goout.net/en/other-events/putins-witnesses+guest/fwbif/+ykwnp/

Every Wall Is a Door

Director: Elitza Gueorguieva                            
France 2018/ 60 min                                         
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
Tickets: 

Central Bus Station

Director: Tomáš Elšík

Czechia 2018 / 75 min

Only recently, Tel Aviv’s Central Bus Station was still the largest in the world. But this oversized space only serves more than its original purpose to bring in masses of people who, confused by its complicated interior design, succumb to shopping fever. Over time this concrete monster, which won’t be easy to tear down, has become a temporary refuge for people on the margins of society – refugees, criminals, prostitutes. Like its main protagonist, the tourist guide Yonatan, the film’s director is fascinated by one of the wonders of the world of redundancy and the microcosm of the people who live here.

Tickets: https://goout.net/en/movies/central-bus-station/kkmwd/+luvpp/